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FACETIPS – A GEM CUTTER’S NOTEBOOK

by
Duncan Miller


The faceting articles published over the past few years in the Mineral Chatter have been compiled into a single 128 page document, available for download for those interested in saving all the articles together. To download the pdf file click here.

A 29,18 ct cuprite from Onganja, Namibia, cut by Duncan Miller and now in a private collection in Germany.


HYBRID DOPPING WITH WAX AND CYANOACRYLATE GLUE

June 24, 2019

Duncan Miller

Initial dopping requires a flat surface on your rough. Prepare a flat dop with a blob of hot wax on it and in the transfer fixture push this against another flat dop face to form a layer of wax a few millimetres thick. You can build this up with several layers if the stone you are going to cut is very heat sensitive. Clean the flat on your rough with alcohol. When the wax is cold, apply a small drop of cyanoacrylate glue (CA), position the rough on the dop quickly, and let the glue set. Paint the join with clear nail varnish to protect the CA bond from softening in water. Then cut the pavilion.

There are two ways to do the transfer. If the stone is not very heat sensitive, fill the pavilion dop with wax and let it cool until it is still just plastic and takes a dent from a fingernail. Then push the pavilion into it, in a transfer fixture of course, and pull it out again quickly to make an impression of the pavilion. Use a small amount of CA in the impression to glue the pavilion to the wax. Using a CA accelerator, like Zip Kicker by ZAP, helps set the glue if it is reluctant. When the CA has set, paint the join with clear nail varnish. To remove the initial dop, hold the stone itself between your fingers, heat the stem of the initial dop, and with a twisting motion detach it as soon as the wax layer is soft enough to release it. You can scrap the surplus cold wax off the stone with a blade.

 

For very heat sensitive stones, the alternative is to make yourself a set of 'anti-dops' (see picture left) by grinding large cylindrical dops into a 45° cone, a wedge, and a trigonal pyramid on a coarse lap. (I owe this idea to Tom Herbst's Amateur Gemstone Faceting.) Use an appropriate one of these in the transfer fixture to make an impression in soft, low temperature wax, like jeweller’s green wax. When it has cooled you can glue a heat sensitive stone into that impression, preferably using a gap-filling CA and accelerator, followed by the clear nail varnish treatment. Remove the initial dop as described above, without allowing the stone to heat up at all. After cutting the crown, soaking the stone and dop in acetone overnight will result in a clean stone. (Gap-filling CA and Zip Kicker are available from hobby shops selling model kits.)

See also

https://www.gia.edu/gems-gemology/optimizing-face-up-appearance-in-colored-gemstone-faceting

 

Ye Olde English Spar Boxes – a Hobby Revived!

June 24, 2019
Lesley Andrews

During the nineteenth and early twentieth centuries a popular pastime among the mining population of Northern England was the construction of spar boxes. These were used to decorate their homes, and also to sell to make some extra money. Spar boxes were made up of various crystals (spar is the old name for a crystalline mineral) which were collected by the miners working in the lead and iron mines of the north Pennines and Lakeland areas.

My first encounter with spar boxes in 200...


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Rhodochrosites

May 24, 2019

Duncan Miller





These are the rhodochrosites (presumably from Hotazel) that I have been faceting, on and off, for the past two months. The ‘pink’ stones (on the left) are 0,65 ct; 0,68 ct; 1,46 ct; and 0,96 ct.  The ‘red’ stones (on the right) are 1,39 ct; 1,66 ct; and 1,71 ct. The rough was acquired more than twenty years ago as a small batch of broken and half-finished stones. A recent article about faceted rhodochrosite in The Journal of Gemmology inspired me to try to resurrect them...


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WHO CUT THAT STONE, OR WHAT IS A GEM CUTTER WORTH?

May 24, 2019
Duncan Miller

The photograph here is of a magnificent 164,11 ct spodumene (variety kunzite) in the collection of the Smithsonian Institution, USA (https://geogallery.si.edu/10002906/spodumene-var-kunzite).


The accompanying text credits the mine at which it was found (in 2010 at the Oceanview Mine in Pala, California), the funds with which it was acquired (Tiffany & Co. Foundation endowment in 2012), and the photographer (Greg Polley). So who cut this stone? This is like acknowledging the ar...


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FACETIPS A simple Emerald Cut

May 9, 2019

Duncan Miller

The Emerald Cut is not a meetpoint design so cutting stones with repeatable proportions and facet widths involves guesswork. The following sequence for cutting pavilion and crown avoids most of the guesswork and enables you to cut pairs or sets of matched stones. This sequence is modified from FACET DESIGN Vol. 4 by Robert Long & Norman Steel, in turn based partly on FACETING FOR AMATEURS by Glenn & Martha Vargas. This example uses 5° steps for the three pavilion tiers, but you ...


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WHAT IS A PSEUDOMORPH, AN EPIMORPH OR A PARAMORPH?

May 9, 2019

According to https://en.wikipedia.org/wiki/Pseudomorph:

In mineralogy, a pseudomorph is a mineral or mineral compound that appears in an atypical form (crystal system), resulting from a substitution process in which the appearance and dimensions remain constant, but the original mineral is replaced by another. The name literally means "false form". Terminology for pseudomorphs is "replacer after original", as in brookite after rutile.

paramorph (also called allomorph) is a mineral chan...


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Phlogging a dead horse?

May 9, 2019
Jo Wicht

Many of you are aware of my obsession with Blue Lace Agate, both from a lapidary point of view and with stones from the mine, as well as my curiosity as to how the mineral was possibly formed. Any new information that I come across, be it a new specimen or comment, has to be investigated. Recently it was Marco Campos-Venuti’s new book (Banded Agates: a genetic approach (2018) www.agatesandjaspers.com) which set me off on the trail again because it has a chapter on Lace Agates. Marco...


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UNUSUAL CRYSTAL HABITS

March 25, 2019

By Peter Rosewarne

Sifting through my collection in order to catalogue and assess specimens more fully has got me thinking more about some of their mineralogical and crystallographic properties. Why are some examples of the same mineral one colour and others another? Why are some stubby and others prismatic? What crystal system do they each belong to? What is ilvaite or axinite or vivianite?

I’m fascinated by the interesting habits that some minerals exhibit which in many cases don’t see...


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FACETIP – QUARTZ

February 21, 2019

By Duncan Miller

(This is a follow-up to a previous article on faceting quartz, to be found with other faceting articles on the club’s website http://ctminsoc.org.za/articles/category/Faceting.) 

Every faceter knows quartz, those great big glassy-looking chunks that seem to cry out to be turned into doorknobs. Or pretty, golden ‘citrine’ that can cut brilliant yellow stones. Or glowing, dark purple amethyst with seductive blue flashes, dreamy rose quartz, or rutilated quartz with geom...


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SOME MUSINGS ON SELLING A MINERAL COLLECTION FROM SOUTH AFRICA

February 21, 2019

By Peter Rosewarne

   

Having built-up a mineral collection the question arises, at some stage, as to what to do with it looking to the future. Options include do nothing (and continue to get enjoyment out of looking at and handling the specimens) and let someone else worry about it when you’re gone (i.e. throw it away), give it away, donate it to an institution (probably unwise in SA or anywhere probably), or sell it. This article looks at some aspects of the pricing and selling process ba...


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